ESSAYS

Between the Shadow and the Soul
Anna Mustonen

Embrace the Unknown: Patricia Piccinini and the Aesthetics of Care
Dea Antonson

“Your Place Is My Place.” Rosi Braidotti in conversation with Patricia Piccinini
Rosi Braidotti and Patricia Piccinini

Interview for Fine Spind Denmark
Sophie Normann Christensen and Patricia Piccinini

Interview with Pauline Bendsen for Jyllands-Posten (Denmark) Jan 21, 2019
Pauline Bendsen and Patricia Piccinini

Curious Affection
Peter McKay

Interview with Alvaro Fierro for JOIA Magazine 49 (Chile) 2018
Alvaro Fierro and Patricia Piccinini

Interview with The Condition Report
Patricia Piccinini and The Condition report

Just Because Something Is Bad, Doesn't Mean It Isn't Good
Basak Doga Temur

Patricia Piccinini interviewed by Jane Messenger
Jane Messenger

Speculative Fabulations for Technoculture's Generations
Donna Haraway

The Naturally Artificial World
Laura Fernandez Orgaz and Patricia Piccinini

Border Patrol
Stella Brennan

We Are Family: Patricia Piccinini at the 50th Biennale of Venice
Linda Michael

Patricia Piccinini's Offspring
Peter Hennessey

Fast forward: accelerated evolution
Rachel Kent

Modified Terrain
Mark Feary

One Night Love
Nikos Papastergiadis

Autoerotic
Amanda Rowell

One Night Love
Linda Michael

Atmosphere
Juliana Engberg

Biopshere
Edward Colless

Patricia Piccinini: Ethical Aesthetics
Jacqueline Millner

Interview with Patricia Piccinini and Peter Hennessey
Daniel Palmer

Patricia Piccinini - Early Installations
Peter Hennessey

The NESS Project and the Birth of Truck Babies
Hiroo Yamagata

Plastic Life: Patricia Piccinini & Christopher Langton
Jacqueline Millner

The Breathing Room
Victoria Lynn


ARTIST'S STATEMENTS

 

 

 

 

Truck Babies

by Patricia Piccinini (1999)
 

The idea for Truck Babies came to me while on a long road trip in the United States; driving from New Orleans to Niagra falls. During that time I became very familiar with the trucks that thundered by me on the road, after a while they seemed like giant whales, the only real 'wildlife' that I saw on my journey. In fact, when I did see deer, they were the ones that seemed artificial or out of place. I began to distinguish between the trucks; I could nominate which family (fleet) they belonged to, I could distinguish their features (customising). It wasn't long before I asked the question - where are their babies and what do they look like? This was the birth of Truck Babies.

The Truck Babies are infantile not miniature; they have big cheeks and fat bottoms, little wheels and lovely big eyes. They are what I imagined to be the off spring of the big trucks that I saw on the road. I examined the relationship between babies and fully-grown animals and people and applied these developmental changes backwards to the trucks.

I also went in search of a context for the Truck Babies; their family. I found them in Tokyo in the young techno street-wise and fashion-conscious teenage girls of the city. I was excited by how these girls, in many ways powerless in mainstream society, can manage to create a sort of power for themselves. In these girls I saw an awareness of the temporal nature of ideas - fads. They embrace new technologies and new ideas, knowing all the time that these ideas, like their own youth will not last for ever. In the installation these girls continuously give advice to the fledgling Truck Babies on how to grow up in a world of compromise and still find a kind of integrity for yourself.

One of my interests for the work was to take something as frightening and unfriendly as a truck and turn it into something that is cute, desirable and seductive. In the same way, consumer culture creates the beauty and desire that blinds you to the pollution and other problems of the industry and economics that lie behind it. Trucks and cars represent for me the archetypal example of this process where contemporary consumer culture conjures desire out of nothing more than glossy surfaces and shiny chrome. The Truck Babies illustrate my own ambiguous feelings towards this process; where I see and enjoy this beauty as much as I condemn it. Truck Babies is a cute work, full of humour, but at the same time quite serious. It asks questions about the 'nature' of contemporary society - and the increasingly strange and confused relationship between what we see as 'natural' and 'artificial'. It asks whether we can any longer simply draw a line separating animals and machines, and where we stand in between the two. The work also talks about the seductive nature of consumer culture, attempting to find a position that is both positive and critical.

 

 

 

Between the Shadow and the Soul by Anna Mustonen

Embrace the Unknown: Patricia Piccinini and the Aesthetics of Care by Dea Antonson

“Your Place Is My Place.” Rosi Braidotti in conversation with Patricia Piccinini by Rosi Braidotti and Patricia Piccinini

Interview for Fine Spind Denmark by Sophie Normann Christensen and Patricia Piccinini

Interview with Pauline Bendsen for Jyllands-Posten (Denmark) Jan 21, 2019 by Pauline Bendsen and Patricia Piccinini

Curious Affection by Peter McKay

Interview with Alvaro Fierro for JOIA Magazine 49 (Chile) 2018 by Alvaro Fierro and Patricia Piccinini

Interview with The Condition Report by Patricia Piccinini and The Condition report

Just Because Something Is Bad, Doesn't Mean It Isn't Good by Basak Doga Temur

Patricia Piccinini interviewed by Jane Messenger by Jane Messenger

Speculative Fabulations for Technoculture's Generations by Donna Haraway

The Naturally Artificial World by Laura Fernandez Orgaz and Patricia Piccinini

Border Patrol by Stella Brennan

We Are Family: Patricia Piccinini at the 50th Biennale of Venice by Linda Michael

Patricia Piccinini's Offspring by Peter Hennessey

Fast forward: accelerated evolution by Rachel Kent

Modified Terrain by Mark Feary

One Night Love by Nikos Papastergiadis

Autoerotic by Amanda Rowell

One Night Love by Linda Michael

Atmosphere by Juliana Engberg

Biopshere by Edward Colless

Patricia Piccinini: Ethical Aesthetics by Jacqueline Millner

Interview with Patricia Piccinini and Peter Hennessey by Daniel Palmer

Patricia Piccinini - Early Installations by Peter Hennessey

The NESS Project and the Birth of Truck Babies by Hiroo Yamagata

Plastic Life: Patricia Piccinini & Christopher Langton by Jacqueline Millner

The Breathing Room by Victoria Lynn

Some thoughts about my practice by Patricia Piccinini

Chromatic Balance by Patricia Piccinini

Life Clings Closest by Patricia Piccinini

Shoeforms by Patricia Piccinini

Sanctuary by Patricia Piccinini

Kindred by Patricia Piccinini

The Loafers by Patricia Piccinini

The Couple by Patricia Piccinini

The Field by Patricia Piccinini

The Bond by Patricia Piccinini

The Bond by Patricia Piccinini

Some thoughts about Embryo by Patricia Piccinini

The Rookie by Patricia Piccinini

The Shadows Calling by Patricia Piccinini

Bootflower by Patricia Piccinini

Meditations on the continuum of vitality by Patricia Piccinini

Six observations about The Skywhale by Patricia Piccinini

Those Who Dream by Night by Patricia Piccinini

The Fitzroy Series by Patricia Piccinini

Eulogy by Patricia Piccinini

The Lovers by Patricia Piccinini

The Welcome Guest by Patricia Piccinini

The Observer by Patricia Piccinini

Aloft by Patricia Piccinini

Balasana by Patricia Piccinini

The Gathering by Patricia Piccinini

Perhaps the World is Fine Tonight by Patricia Piccinini

Bottom Feeder by Patricia Piccinini

Not Quite Animal by Patricia Piccinini

The Long Awaited by Patricia Piccinini

The Foundling by Patricia Piccinini

In Another Life by Patricia Piccinini

Big Mother by Patricia Piccinini

Bodyguard by Patricia Piccinini

Public Lecture - Tokyo Art University by Patricia Piccinini

Sandman by Patricia Piccinini

The Leather Landscape by Patricia Piccinini

The Young Family by Patricia Piccinini

Still Life With Stem Cells by Patricia Piccinini

Swell by Patricia Piccinini

Artist Statement by Patricia Piccinini

The Breathing Room by Patricia Piccinini

Truck Babies by Patricia Piccinini