Patricia Piccinini - Curriculum Vitae

 
Biography

1965
Born Freetown, Sierra Leone

1972
Arrived in Australia

1985-88
Bachelor of Arts (Economic History), Australian National University

1989-91
Bachelor of Arts (Painting), Victorian College of the Arts

1994-96
Coordinator, The Basement Project Gallery

2016
Doctor of Visual and Performing Arts (honoris causa), University of Melbourne

2017-23
Enterprise Professor of Art, Victorian College of the Arts, University of Melbourne

 
Selected Solo Exhibitions

2024
Fremde Berührung. Eine Reise in eine andere Welt, Kunsthalle Talstraße, Halle, Germany

2023
Encounters of another plot, John Michael Kohler Arts Center, Wisconsin, USA
HOPE, Tai Kwun, Hong Kong, Hong Kong
Metamorphosis, Kunsthal Rotterdam, Rotterdam, Netherlands
Every Heart Sings (NGA Tour), Tamworth Regional Gallery, Tamworth, Australia
Tales From an Expanding World, Yavuz gallery, Singapore, Singapore

2022
A tangled path sustains us, Hosfelt Gallery, San Francisco, USA
We Are Connected, Art Science Museum, Singapore, Singapore
Every Heart Sings (NGA Tour), Maitland Regional Gallery, Maitland, Australia
Every Heart Sings (NGA Tour), Walkway Gallery, Bordertown, Australia
Every Heart Sings (NGA Tour), Adelaide Festival Centre, Adelaide, Australia
Every Heart Sings (NGA Tour), Mpavillion, Melbourne, Australia
Every Heart Sings (NGA Tour), Hamilton Art Gallery, Dunkeld, Australia
Every Heart Sings (NGA Tour), Art Gallery of Ballarat, Ballarat, Australia
Every Heart Sings (NGA Tour), Cairns Art Gallery, Cairns, Australia
Every Heart Sings (NGA Tour), Araluen Art Centre, Alice Springs, Australia

2021
A Miracle Constantly Repeating, Flinders St Station Ballroom, Melbourne, Australia
Jestesmy, Centre for Contemporary Art, Torun, Poland
Breathblooms and Lighthavens, Tolarno Galleries, Melbourne, Australia
The Awakening, Hosfelt Gallery, San Francisco, Australia
Every Heart Sings, National Gallery of Australia, Canberra, Australia
Every Heart Sings (NGA Tour), Murray Art Museum, Albury, Australia
Patricia Piccinini: Kindred, Cromwell Place, London, England
ALPHA60, Hugs, Heide Museum of Modern Art, Bulleen, Australia
Patricia Piccinini, Scott Lawrie Gallery, Auckland, New Zealand
The Instruments of Life, Kai Art Center, Tallinn, Estonia
Curious Affection on tour, NorthSite, Bulmba-ja Arts Centre, Cairns, Australia

2020
Between the Shadow and the Soul, Helsinki Taidehalli, Helsinki, Finland
The Gardeners Eye, Roslyn Oxley9 Gallery, Sydney, Australia
Curious Affection on tour, Artspace Mackay, Mackay, Australia
Omfamna Framtiden, Boras Museum of Art, Boras, Sweden
Chromatic Balance, Tolarno Galleries, Melbourne, Australia

2019
Life Clings Closest, Cairns Art Gallery, Cairns, Australia
En Kaerlig Verden, Arken Museum, Copenhagen, Denmark

2018
Curious Affection, Gallery of Modern Art, Brisbane, Australia
Curious Imaginings, Vancouver Biennale at the Patricia Hotel, Vancouver, Canada
Patricia Piccinini and Joy Hester: Through Love, TarraWarra Museum of Art, Healesville, Australia
The Field (Project), Sydney Contemporary Artfair, Sydney, Australia
Patricia Piccinini, Hosfelt Gallery, San Francisco, USA
Consciousness, Kibla Portal, Kibla, Slovenia

2017
The Struggle and the Dawn, Roslyn Oxley9 Gallery, Sydney, Australia
No fear unmingled with hope, Tolarno Galleries, Melbourne, Australia
ComSciencia, CCBB Rio De Janiero, Rio De Janiero, Brazil

2016
ComSciencia, CCBB Belo Horizonte, Belo Horizonte, Brazil
Alone With The Gods, Greenaway Art Gallery, Adelaide, Australia
We feel, conceive or reason, laugh or weep, Hosfelt Gallery, San Francisco, USA
ComSciencia, CCBB Brasilia, Brasilia, Brazil
Patricia Piccinini: Bodyscape, Yu-Hsiu Museum of Art, Caotun, Taiwan
Piccinini at Hosfelt, Artinternational, Istanbul, Turkey

2015
ComSciencia, CCBB Sao Paulo, Sao Paulo, Brazil
Another Life, University of Quebec Art Museum, Montreal, Canada
Relativity, Galway International Arts Festival Gallery, Galway, Ireland
The Shadows Calling, Dark Mofo / Mercury Building, Hobart, Australia
And colour is their flesh, Tolarno Galleries, Melbourne, Australia
Like Us, Newcastle Art Gallery, Newcastle, Australia

2014
The Touch of Another, Warrnambool Art Gallery, Warrnambool, Australia
Skywhale, Splendour in the Grass, Byron Bay, Australia
Structures of Support, Canberra Museum and Gallery, Canberra, Australia

2013
I have spread my dreams under your feet, Roslyn Oxley9 Gallery, Sydney, Australia
Kaunas Biennial Unitext, NGO Kaunas Biennial, Kaunas, Lithuania
Skywhale, Canberra Centenary, Dark Mofo, Canberra, Hobart, , Australia
Those who dream by night, Haunch of Venison, London, UK

2012
There are no strangers, Tolarno Galleries, Melbourne, Australia
The Welcome Guest, Conner Contemporary Art, Washington DC, USA
Hold Me Close To Your Heart, Arter Space For Art, Istanbul, Turkey

2011
Once Apon a Time, Art Gallery of South Australia, Adelaide, Australia
The Welcome Guest, Conner Contemporary Art, Washington, USA
The Fitzroy Series, Centre for Contemporary Photography, Melbourne, Australia
Hold Me Close to Your Heart, Arter Space For Art, Istanbul, Turkey
Once Apon a Time, Art Gallery of South Australia, Adelaide, Australia

2010
Beyond Our Kin, Roslyn Oxley9 Gallery, Sydney, Australia
Relativity, Art Gallery of Western Australia, Perth, Australia
Patricia Piccinini, Leeahn Gallery, Daegu and Seoul, Korea

2009
Unforced Intimacies, Tolarno Galleries, Melbourne, Australia
Recent Work, Byblos Art Gallery, Verona, Italy
Evolution, Tasmanian Museum and Art Gallery, Hobart, Australia

2008
The Wellspring, Tolarno Galleries, Melbourne, Australia
Related Individuals, Roslyn Oxley9 Gallery, Sydney, Australia
The Place Where It Actually Happens, Yvon Lambert, New York, USA
Piccinini, Perc Tucker Regional Gallery, Townsville, Australia

2007
(tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain
Hug: Recent Works by Patricia Piccinini, Frye Museum, Seattle, USA
Double Love Knot, Lismore Regional Gallery, Lismore, Australia
Recent Work, Roger Williams Gallery, Auckland, New Zealand
Hug: Recent Works by Patricia Piccinini, Des Moines Art Center, Des Moines, USA

2006
In Another Life, Wellington City Gallery, Wellington, New Zealand
Recent Drawings, Roslyn Oxley9 Gallery, Sydney, Australia
Life Cycle, Tolarno Galleries, Melbourne, Australia

2005
Unbreaking Eggs, Roslyn Oxley9 Gallery, Sydney, Australia
Nature's Little Helpers, Robert Miller Gallery, New York, USA

2004
Sculpture, Robert Miller Gallery, New York, USA
We are Family, toured to Bendigo Art Gallery, Bendigo, Australia

2003
We are Family, Australian Pavilion, 50th Venice Biennale, Venice, Italy
We are Family, toured to Hara Museum, Tokyo, Japan
Precautionary Tales, Tolarno Galleries, Melbourne, Australia
Precautionary Tales, Roslyn Oxley9 Gallery, Sydney, Australia
Love Me Love My Lump, Monash Centre and Dryphoto Gallery, Prato, Italy
Call of the Wild, toured to John Curtin Gallery, Perth, Australia

2002
Call of the Wild, Museum of Contemporary Art, Sydney, Australia
Retrospectology, Australian Centre for Contemporary Art, Melbourne, Australia
Sandman, National Gallery of Victoria, Melbourne, Australia
Autoerotic, Roslyn Oxley9 Gallery, Sydney, Australia

2001
The Breathing Room, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Superevolution, Centro de Artes Visuales, Lima, Peru
One Night Love, Tolarno Galleries, Melbourne, Australia

2000
Swell, Artspace, Sydney, Australia
Desert Riders, Roslyn Oxley9 Gallery, Sydney, Australia

1999
Protein Lattice, Republic Tower billboard, Melbourne, Australia
Truck Babies, Tolarno Galleries, Melbourne, Australia
Plasticology, NTT InterCommunication Centre, Tokyo, Japan

1998
Sheen, Adelaide Festival, Adelaide, Australia
Car Nuggets, Arts Victoria, Melbourne, Australia

1997
Psycho, Tolarno Galleries, Melbourne, Australia

1996
Natural Beauty, The Basement Project, Melbourne, Australia
Your Time Starts Now..., Contemporary Art Centre of South Australia, Adelaide, Australia
Your Time Starts Now..., Institute of Modern Art, Brisbane, Australia

1995
Love Me Love My Lump, The Basement Project, Melbourne, Australia
TerrUrbanism, toured to The Australia Centre, Manila, Philippines

1994
TerrUrbanism, Centre for Contemporary Photography, Melbourne, Australia
T.M.G.P., The Basement Project, Melbourne, Australia
Indivisibles, The Basement Project, Melbourne, Australia

 
Selected Group Exhibitions

2024
The Land is Us, Shepparton Art Museum, Shepparton, Australia
Suppose You Are Not, Arter, Istanbul, Turkey

2023
Supernatural: Sculptural Visions of the Body, Taipei Fine Arts Museum, Taipei, Taiwan
52 Actions, Wangaratta Art Gallery, Wangaratta, Australia

2022
Hyperrealisme, Musee Maillol, Paris, France
You Know Who, Adbulmecid Efendi Mansion, Istanbul, Turkey
52 Actions, Penrith Regional Gallery, Sydney, Australia
Synthetic Ecology, CAFA Art Museum, Beijing, China
New Australian Printmaking, The Ian potter Centre:NGV, Melbourne, Australia
The Hilger Collection, City Art Gallery, Ljubljana, Slovenia

2021
Where We Are, Hosfelt Gallery, San Francisco, USA
Patricia Piccinini at Yavuz, West Bund Art and Design, Shanghai, China
The McClelland Collection: 50 Years, McClelland Gallery, Langwarren, Australia
Future U, RMIT Gallery, Melbourne, Australia
Connecting the World through Sculpture, Monash University Museum of Art, Melbourne, Australia
Reshaped Reality, Osthaus Museum, Hagen, Germany

2020
Supernatural, Kunsthalle Tubingen, Tubingen, Germany
Moving Energies:10 Years me, me Collectors Room, Berlin, Germany
Hyper Realism Sculpture, Parc de la Boverie, Liège, Belgium

2019
Australia. Antipodean Stories, PAC Padiglione d'Arte Contemporanea, Milano, Italy
Future and the Arts, Mori Art Museum, Tokyo, Japan
Cars: Accelerating the Modern World, Victoria and Albert Museum, London, UK
Encounters: Honoring the Animal in Ourselves, Palo Alto Art Center, Palo Alto, CA, USA
Licht Luft Scheisse, Botanical Museum, Berlin, Germany
The Coming World, Garage Museum of Contemporary Art, Moscow, Russia
The XXII Triennale di Milano, Broken Nature, Palazzo dell’Arte, Milan, Italy
Apocalyptic Horse, Heide III: Albert & Barbara Tucker Gallery, Bulleen, Australia
Enter, Housemuseum Galleries, Kew, Australia
Projects, Seattle Art Fair, Seattle, USA
Perfection, Science Gallery, Dublin, Ireland
The Gifts of Tony Podesta, Katzen Art Center, Washinton DC, USA
Reshaped Reality, Chiang Kai-sheck Memorial Hall, Taipei, Taiwan
Auto-didactic: The Juxtapoz School, Petersen Automotive Museum, Los Angeles, USA
Obsession: Devil in the Detail, Mornington Peninsula Regional Art Gallery, Mornington, Australia

2018
The Public Body, Artspace, Woolloomooloo, Australia
Perfection, The Science Gallery, Melbourne, Australia
This Wild Song, Town Hall Gallery, Hawthorn, Melbourne, Australia
Mirror Mirror, Paul Robeson Galleries, Newark, NJ, USA
The Exodus of Ordinary, Vivian Gallery, Warkworth, New Zealand
Frankensteins Birthday Party, Hosfelt Gallery, San Francisco, USA
Adelaide Biennial of Australian Art: Divided Worlds, Art Gallery of South Australia, Adelaide, Australia
Let's Play, Bunjil Art Gallery, Narre Warren, Australia
Hyper Real, National Gallery of Australia, Canberra, Australia

2017
All the Better to See you with, Fairy Tales Transformed, Ian Potter Gallery, Universty of Melbourne, Parkville, Australia
Pulsanti, Abdulmecid Mansion / Arter, Istanbul, Turkey
At 50, Tolarno Galleries, Melbourne, Australia
Gys! Er den levende?, Arken Museum of Modern Art, Copenhagen, Denmark
Momentum 9 Bienale 'Alienation', PunktO Galleri 15, Moss, Norway
Revival, National Museum of Women in the Arts, Washington, USA
Beyond Belief: the Sublime in Contemporary Art, Bathurst Regional Art Gallery, Bathurst, Australia
Mad Love, Arndt Art Agency, Berlin, Germany
The Universe and Art, ArtScience Museum, Singapore
The Universe and Art, Mori Art Museum, Tokyo, Japan
On the Origin of Art, MONA (Musuem of Old and New Art), Hobart, Australia

2016
New Romance – Art and the posthuman, Museum of Contemporary Art, Sydney, Australia
Soft Core, Casual Powerhouse Arts Centre, Lake Macquarie City Gallery, Hawkesbury Regional Gallery, Bathurst Regional Gallery, Cowra Regional Gallery, Shoalhaven Arts Centre, Shepparton Art museum, Ararat Regional Art Gallery, Wagga Wagga Art Gallery, Sydney, Lake Macquarie, Hawkesbury, Bathurst, Cowra, Nowra, Shepparton, Ararat, Wagga Wagga, Australia
Speed, Murray Art Museum, Albury, Australia
The New Romance, National Museum of Contemporary Art, Seoul, South Korea
Cornucopia, Shepparton Art Museum, Shepparton, Australia
Weird and Wonderful, Museum Folkwang, Essen, Germany
Australian Exotica, Monash Gallery of Art, Melbourne, Australia
Super Natural, National Museum of Women in the Arts, Washington, USA
Materia Prima, LABoral Centro De Arte, Gijon, Spain

2015
The Post-Photographic Condition, Le Mois De La Photo a Montreal, Montreal, Canada
Demonstrable, University of Western Australia, Perth, Australia
Beautiful Beast, The New York Academy of Art, New York, USA
Queensize – Female Artists from the Olbricht Collection, me Collectors Room, Berlin, Germany
Dark Heart, Adelaide Biennial of Australian Art, Adelaide, Australia
Menagerie, Australian Centre for Contemporary Art, Melbourne, Australia

2014
In the Flesh: Experiencing the New Real, National Portrait Gallery of Australia, Canberra, Australia
PULSE: Reflections on the body, Canberra Museum and Gallery, Canberra, Australia
The Gathering II, Wangeratta Art Gallery, Wangaratta, Australia
In the Flesh: Experiencing the new real, National Portrait Gallery of Australia, Canberra, Australia
Remain in Light: Photography from the MCA collection touring exhibition, Museum of Contemporary Art, Ipswich Reg Gallery, Western Plains Culture Centre, Maitland Reg Gallery, Bendigo Art Gallery, Artspace Mackay, Hawkesbury Reg gallery, Sydney, Ipswich, Dubbo, Maitland, Bendigo, Mackay,Windsor, Australia
Swell, Screen Space, Melbourne, Australia
Melbourne Now, NGV, Melbourne, Australia
Post-humanist Desire: Sexuality and Digitality in Contemporary Art, Museum of Contemporary Art, Taipei, Taiwan

2013
Nature of the Beast, The New Art Gallery, Walsall, England
How to tell the future from the past, Haunch of Venison, New York, USA
The Future's Not What It Used To Be, Newlyn Art Gallery and The Exchange, Newlyn, England
The Wandering: Moving Images from the MCA Collection, Cairns Regional Gallery, Cairns, Australia
Project Genesis, Ars Electronica, Linz, Austria
Call of the Wild, Hosfelt Gallery, San Francisco, USA
Vrrooom, Perc Tucker Regional Gallery, Townsville, Australia
Under My Skin: Contemporary Australian Photography from the Corrigan Collection, Rockhampton Regional Gallery, Rockhampton, Australia
Seven Sisters, Karen Jenkins-Johnson Gallery, San Francisco, USA
Fairy Tales, Monsters, and the Genetic Imagination, The Frist Center for the Visual Arts,Glenbow Art Museum, Winnipeg Art Gallery, Nashville, Tennesse, Calgary, Manitoba, USA, Canada
The Observer, Haunch of Venison, London, UK

2012
Louise Bourgeois, Heide Museum of Modern Art, Melbourne, Australia
Blue: Matter, Mood, and Melancholy, 21c Museum Hotel, Louisville, USA
Confounding: Contemporary Photography, National Gallery of Victoria, Melbourne, Australia
Nature vs Nurture, FaMa Gallery, Verona, Italy
Animal/Human, University of Queensland Art Museum, Brisbane, Australia
Concepts of Life in Contemporary Sculpture, Georg Kolb Museum, Berlin, Germany
Cycle in Cinema, University of NSW, College of Fine Arts, Sydney, Australia
The Freeze, Maroondah Art Gallery, Melbourne, Australia
Controversy: the power of art, Mornington Peninsula Regional Art Gallery, Melbourne, Australia
Chromogenic, 2012, Media House Gallery, The Age building, Melbourne, Australia
Inspiring Art> recipients of the Pat Corrigan Artists Grant, Maitland Regional Art Gallery, Maitland, Australia
2112: Imagining the Future, RMIT Gallery, Melbourne, Australia
Power of Making, Victoria & Albert Museum, London, UK

2011
Boundaries Obscured, Haunch of Venison, New York, USA
The Power of Making, Victoria & Albert Museum, London, UK

2010
Our Origins, The Museum of Contemporary Photography, Chicago, USA

2009
The Earth is Blue like an Orange, The Montreal Museum of Fine Arts, Montreal, Canada
Medicine and Art, Mori Art Museum, Tokyo, Japan
2nd Asian Art Biennale, National Taiwan Museum of Fine Arts, Taipei, Taiwan
Wonderland: through the Looking Glass, KadE Kunsthal, Amersfoot, The Netherlands
Tier-Werden, Mensch-Werden, NGBK, Berlin, Germany
Niet Normaal: Difference on Display,, Beurs Van Berlage,, Amsterdam, The Netherlands

2008
Colliding Worlds, Samstag Museum, Adelaide, Australia
Contemporary Australia: Optimisim, GOMA Queensland Art Gallery, Brisbane, Australia
Neo-Goth: Back In Black, University of Queensland Art Museum, Brisbane, Australia
The Stranger, Yvon Lambert, New York, USA
Gallery Artists, Conner Contemporary Art, Washington DC, USA
Figuring Landscapes, ArtSway, and then travelling UK and Australia until 2010, Hampshire, UK
Life (Death Thereafter), Silvershot, Melbourne, Australia
The Land of Retinal Delights, Laguna Art Museum, Laguna Beach, USA
Bloodline: The Evolution of Form, McClain Gallery, Houston, USA
New Millenium, Lismore Regional Gallery, Lismore, Australia

2007
FX in Contemporary Photography, McClelland Gallery and Sculpture Park, Melbourne, Australia
Global Feminisms, Brooklyn Museum, New York, USA
Switcher Sex: Video Works from the Teutloff Collection, Slought Foundation, Philadelphia, USA
Diagnose [Kunst]: Contemporary art reflecting medicine, Museum im Kulturspeicher, Wurzberg, Germany
Diagnose [Kunst]: Contemporary art reflecting medicine, Kunstmuseum Ahlen, Ahlen, Germany
Down Under: The Hague sculpture 07, Haags Historisch Museum, The Hague, The Netherlands
MCA Collection: New Acquisitions, Museum of Contemporary Art, Sydney, Australia

2006
Artist Makes Video: Art Rage Survey 1994-1998, Queensland College of Art, Brisbane, Australia
Redefined, Corcoran Museum of Art, Washington DC, USA
Uneasy Nature, Weatherspoon Art Museum, Greensboro, USA
Long Live Sculpture, The Open Air Museum for Sculpture Middelheim, Antwerp, Belgium
Prism, Bridgestone Museum of Art, Tokyo, Japan
Black & Blue, Robert Miller Gallery, New York, USA
High Tide, Zacheta National Gallery of Art, Warsaw, Poland
Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F Johnson Museum of Art Cornell University, Ithaca, USA
High Tide, Contemporary Art Centre, Vilnius, Lithuania
The Idea of the Animal, RMIT Gallery, Melbourne, Australia
New to the modern: Heide's Collection 25 years on, Heide Museum of Modern Art, Melbourne, Australia
Strange Cargo, Newcastle Region Art Gallery, travelling exhibition until March 2008, Newcastle, Australia
Supercharged, Institute of Modern Art, travelling exhibition until June 2008, Brisbane, Australia
2006:Contemporary Commonwealth, Australian Centre for the Moving Image, Melbourne, Australia
Epic, Lismore Regional Gallery, Lismore, Australia

2005
Home Goal: Diversity in Contemporary Art from the Collection of Dr. Dick Quan, Bathurst Regional Art Gallery, Bathurst, Australia
Becoming Animal, MASS MoCA, North Adams, USA
Detox, Kunstnernes Hus, Oslo, Norway
Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, USA
I thought I knew but I was wrong, Ssamzie Space, Seoul, South Korea
Almost, Robert Miller Gallery, New York, USA
Living Apart Together, Odapark Venray, Venray, The Netherlands

2004
Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, Australia
Rheinschau Art Cologne Projects, Art Cologne, Cologne, Germany
Andererseits: die phantastik, Landesmuseum, Linz, Austria
We Are the World, Chelsea Art Museum, New York, USA
Brides of Frankenstein, San Jose Museum of Art, San Hose, USA
Auto Fetish: The Mechanics of Desire, Newcastle Region Gallery, Newcastle, Australia
Bloom: Mutation, Toxicity and the Sublime, Govette Brewster Art Gallery, New Plymouth, New Zealand
I thought I knew but I was Wrong, Jamjuree Art Gallery, Pathumwan, Bangkok, Thailand
Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, Australia
Repercussions, Greenaway Art Gallery, Adelaide, Australia
The Plot Thickens, Heidi Museum of Modern Art, Bulleen, Victoria

2003
Written with Darkness: Selected photographs from the Corrigan Collection, University of Technology Gallery, Sydney, Australia
Face Up, Hamburger Bahnhof, Berlin, Germany
Bienal de La Habana, Havana, Havana, Cuba
Second Sight, National Gallery of Victoria, Melbourne, Australia

2002
see, here, now, The Ian Potter Museum of Art, Melbourne, Australia
Liverpool Biennale: International 2002, Tate Liverpool, Liverpool, England
(The world may be) fantastic: 2002 Biennale of Sydney, Object Gallery, Sydney, Australia
Tech / No / Zone, Museum of Contemporary Art, Taipei, Taiwan
Melodrama: Lo Excesivo en la Imaginación Posmoderna, Artium, Centro Museo Vasco de Arte Contemporáneo, Vitoria-Gasteiz, Spain
Modified Terrain, Institute of Modern Art, Brisbane, Australia
conVerge; where art and science meet, Art Gallery of South Australia, Adelaide, Australia
Heterosis: Digital Art from Australia, Conde Duque, Madrid, Spain

2001
For Real, Wood Street Galleries, Pittsburgh, United States
2nd Berlin biennale, Postfuhramt (Old Postal Services Building), Berlin, Germany
hybridforms: Australian new media art, Netherlands Media Art Institute, Amsterdam, The Netherlands
Melbourne Festival, The Australia Projects, Melbourne Zoo and RMIT Gallery, Melbourne, Australia
Seeing through Landscape, Australian Centre for Photography, Sydney, Australia

2000
Desire, Royal Melbourne Institute of Technology Gallery, Melbourne, Australia
Gwangju Biennale, Gwangju City Art Museum, Gwangju, Korea
Song of the Earth, Museum Fridericianum, Kassel, Germany
Passing Time: The Möet & Chandon Exhibition, Art Gallery of New South Wales, Sydney, Australia
Terra Mirabilis: Wonderful Land, Centre for Visual Arts, Cardiff, Wales
Zeitgeössische Fotokunst Aus Australien, Neuer Berliner Kunstverein, Berlin, Germany
Zeitgeössische Fotokunst Aus Australien, Museum Scholß Hardenberg, Velbert, Germany
Zeitgeössische Fotokunst Aus Australien, Kunstsammlungen, Chemnitz, Germany
Zeitgeössische Fotokunst Aus Australien, Kulturzentrum der Stadt Stuttgart, Stuttgart, Germany
Flow, National Art Gallery, Kuala Lumpur, Malaysia
Bonheurs des Antipodes, Musée de Picardie, Amiens, France
Make/Believe, The Fabric Workshop and Museum, Philadelphia, USA
Sporting Life, Museum of Contemporary Art, Sydney, Australia
Plastic Life, Level 2, Art Gallery of New South Wales, Sydney, Australia

1999
Akihabara TV 2, Akihabara electrical stores, Tokyo, Japan
Signs of Life: Melbourne International Biennial, Telstra Exchange Building, Melbourne, Australia
A Window Inside Outside, Gwangju City Art Museum, Gwangju, Korea
Probe, Australian Embassy, Beijing, China
The Liquid Medium:Video Art, Queensland Art Gallery, Brisbane, Australia
ARTificial Life, Artspace, Auckland, New Zealand
Akihabara TV, Akihabara electrical stores, Tokyo, Japan
The Persistence of Pop, Monash University Gallery, Melbourne, Australia
Signature Works, Australian Centre for Photography, Sydney, Australia
Art Life 21, Spiral TV, Spiral/Wacoal Art Centre, Tokyo, Japan
Byte Me, Bendigo Art Gallery, Bendigo, Victoria

1998
Tolarno Galleries at the Moores Building, Perth Festival, Perth, Australia
Up the Road: Contemporary Artists out of the VCA, Australian Centre for Contemporary Art, Melbourne, Australia
Metamorphosis, Mornington Peninsula Regional Art Gallery, Victoria, Australia

1997
Hype: Fashion, Art and Advertising, RMIT Gallery, Melbourne, Australia
Natural Selection (Australian Perspecta 1997), Museum of Contemporary Art, Sydney, Australia
Art=Advertising, Robert Lindsay Gallery, Melbourne, Australia
Lawyers, Guns and Money, Experimental Art Foundation, Adelaide, Australia
Second Tokyo International Photo Biennale, The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Fotofeis, Gallery of Modern Art, Glasgow, Scotland
Nothing Natural, Plimsoll Gallery, Hobart, Australia
Nothing Natural, Latrobe Regional Gallery, Morewll, Australia
Wild Kingdom, Institute of Modern Art, Brisbane, Australia

1996
Techne, Perth Institute of Contemporary Arts, Perth, Australia
Photography is Dead! Long Live Photography!, Museum of Contemporary Art, Sydney, Australia
Science Fiction/Social Fiction, Galerie Der Stadt Schwaz im Palais Enzenberg, Austria, Australia
Perception & Perspective, National Gallery of Victoria, Melbourne, Australia
Nothing Natural, The Basement Project, Melbourne, Australia
Möet & Chandon Touring Exhibition, National Gallery of Victoria, Melbourne, Australia
Möet & Chandon Touring Exhibition, Queensland Art Gallery, Brisbane, Australia
Möet & Chandon Touring Exhibition, Art Gallery of South Australia, Adelaide, Australia
Möet & Chandon Touring Exhibition, Art Gallery of New South Wales, Sydney, Australia
Cyber Cultures, Performance Space, Sydney, Australia
Alternative Realities tour, Pacific Cultural Centre, Taipei, Taiwan
Alternative Realities tour, Tamsui Centre of Arre, Tamsui, Taiwan
Alternative Realities tour, Mountain Art Gallary, Kaohsiung, Taiwan
Alternative Realities tour, Karnataka Chitrakala Parishath Gallery, Bangalore, India

1995
Alternative Realities tour, Government Museum & Art Gallery, Chandigarh, India
Alternative Realities, Ian Potter Gallery, University of Melbourne, Melbourne, Australia
Alternative Realities tour, University of Science and Technology, Hong Kong, China
Alternative Realities tour, Zhu Qizhan Gallery, Shanghai, China
Alternative Realities tour, Wang Fun Art Gallery, Beijing, China
Alternative Realities tour, Gallery Artbeam, Seoul, Korea
Technothelylogia: Technology for and by Women, Monash University Gallery, Melbourne, Australia
Since the Accident, The Basement Gallery, Melbourne, Australia
Our Parents' Children, National Gallery of Victoria, Melbourne, Australia
A Gathering of Shades, Temple Studio, Melbourne, Australia
Fleshly Worn, ASA Gallery, Aukland, New Zealand
Ada's Spawn, New Media Network, Melbourne, Australia
Plastiche (Curator), The Basement Project, Melbourne, Australia

1993
Critical Mass, Arts Victoria Gallery, Melbourne, Australia
City Screens, Melbourne International Festival, Melbourne, Australia

1992
Deliquescence, 200 Gertrude Street, Melbourne, Australia
Deliquescence, Canberra Contemporary Art Space, Canberra, Australia
Deliquescence, First Draft Gallery, Sydney, Australia
Deliquescence, First Draft Gallery, Sydney, Australia

 
Selected Bibliography

2023
Felicity Fenner, Roslyn Oxley9 Gallery, The First 40 Years, Formist, 2023, pp. 61-63
Meredith McKendry, Portrait, National Portrait Gallery, Issue 69, 2023, p 63
Rhana Devenport, AGSA 500, Art Gallery of South Australia (Thames & Hudson, 2023, p 84
Maria Chiara Antonini, Extra Ordinary Byblos Art Hotel, Byblos Art Hotel Villa Amista, 2023, pp. 39-45
Cusson Cheng, Art and Piece, Fromthecaptain Ltd, 2023, pp 195-201

2022
Karina Dias Pires, Artists at Home, Thames & Hudson, 2022, pp. 132-178
Nulifer Sasmazer, You Know Who, Vehbi Koc, 2022, pp 74-77
Australian Print Workshop - Maggie Finch, New Australian Printmaking - Intimate Lines, NGV, 2022, p 16

2021
Joshua White, Jane Clark, Hamilton Gallery, 60th Anniversary, Hamilton Gallery, 2021, pp 142-147, Back cover
Kerry Gardner, A Century of Contemporary art: Australia at the Venice Biennale , Miegunyah Press , 2021, p. 21
Nicole Scheyerer, Morgen, Morgen.at, 2021, pp. 25-27
Mannika Mishra, Contemporary Lynx Magazine, Contemporary Lynx Ltd, 2021, p. 11
Jaklyn Babington, Know My Name, NGA, 2021, pp. 186-189
Gitte Tandrup, Learning to Look at Art with Rafael (Danish), Middle Yard Publishing, 2021, Cover, pp.12-15
Konrad Marshall, High Flyer - Good Weekend mag, Fairfax press, 2021, pp 166-167
Florian Heine, The Art of Illusion, Prestel Verlag, 2020, p 97

2020
Anouska Phizacklea, Natasha Bowness, View Finding, Monash Gallery of Art, 2020, pp 178-187
Abigail Crompton, Truth Bomb, Thames & Hudson, 2020, Cover, 245, 246

2021
Anni Doyle Wawrzynczak, How local art made Australias national capital, ANU Press, 2020, pp 48-49, 61, 86-87

2020
Dr. phil. Ann-Katrin Günzel, Kunstforum international, kunstforum.de, 2020, pp 215-217
Jon Wood & Julia Kelly / Nato Thompson, Contemporary Sculpture, Cragg Foundation, 2019, pp 136-137

2019
Tokuyama Hirokazu, Kondo Kenichi, Future and the Arts, Mori Art Museum, Tokyo, 2019, pp 178-179
Benoit Remiche, Hyper-Realism Sculpture ceci n'est pas un corps, Tempora, 2019, p 146
Jon B K Ransu, Hreinn Hryllingur form og formleysur I samtimalist, Prentsmidjan Oddi ehf, 2019, pp 99-116
Guillaume Baychelier, No age, please, we're posthuman!, Editions Kime, 2019, p. 320
Rebecca Morrill / Louisa Elderton, Great Women Artists, Phaidon Press, 2019, p. 261
Paola Antonelli / Ala Tannir, Broken Nature, La Triennale di Milano, 2019, pp. 274-275
Yanki Lee, Kana Ohashi, Speculations: Beyond Human Centered Design, Shinano Co, 2019, Central Gallery 9.
Corbett Lyon, Fleur Watson, Enter, Housemuseum Galleries, 2019, pp. 120-121
Dr Otto Letze, Mr Franklin Hill, Reshaped Reality, Institute fur Kulturaustausch, 2019, Front cover
Franco Bolelli, Manuela Mantegazza, Per Tuttii I Per Sempre, Amazon, 2019, pp. 88-99
Jeans Jamin, Michel Leiris, Gradhiva, Musee Du Quai Branly, 2019, pp. 7, 81
Jean Marie Panazol, TDC (Textes et Documents Pour la Classe), Reseau Canope, 2019
Christian Gether, Stine Hoholt, Dea Antonsen, A World of Love, Arken Museum of Modern Art, 2019, pp. 32-33
Henry T. Greely, Issues in Science and Technology, National Academy of Sciences…, 2019, pp.88-89
Jennifer Sakai & Klaus Ottmann, The Gifts of Tony Podesta, American University Museum, 2019, pp. 69-74
Therese Gilligan, MC_AC, Loreto Mandeville, 2018, pp. 122-123
Otto Letze, Nicole Fritz, Almost Alive / Kunsthalle Tubingen, Hirmer Verlag, 2018, pp. 86-95
Nathan Scolaro, Dumbo Feather / PP makes Tender Art, Berry Liberman, 2018

2018
Sally Claxton, The Art of Feminism, Elephant Book Company Ltd, 2018, p. 54
Evelyn Tsitas, My Monster, RMIT Gallery, Melbourne, 2018, p 107
Liz Rideal, Kathleen Soriano, Madam & Eve, Women Portraying Women, Laurence King Publishing, 2018, pp.15, 82-85
Samantha Comte, All the better to see you with, Fairy tales transformed, Ian Potter Museum of Art, 2018
Peter McKay, Patricia Piccinini, Curious Affection, Queensland Art Gallery Gallery of Modern Art, 2018, pp. 28, 104-105
Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. 52-61
Elizabeth Finkel, Cosmos, Cosmos Media, Melbourne, Issue 77, 2018, p. 58
Michael Klant / Joseph Walch, GK Kunst 2- Plastick, Skulptur, Objekt, Schroedel Westermann, 2017, pp.8-9, 16,33,54, 140-147
Anna Davis, New Romance. Art and the Posthuman, Museum of Contemporary Art, Sydney, 2017, pp.20-21 50-51 64-67 71-71
Abdulmecid Kosku / Omer Koc, Pulsanti aperietur, MAS Matbaacilik San ve Tic A.S., 2017, pp. 38-41

2017
Matthias Arndt / Rachael Vance, MAD, Arndt Art Agency, 2017, pp. 56-65
Kon Gouriotis, Artist Profile, Nextmedia, 2017, pp. 78-81
Kathryn Wat, Revival, National Museum of Women in the Arts, 2017, p. 90
Honor Hager, The Universe and Art, Artscience museum, Singapore, 2017, pp. 34-35
Marysa van den Berg, KIJK / Dier Maakt Mens, KIJK Magazine, Netherlands, 42917, p.356
Charles Green, Art Forum International, May 2017, Artforum International Magazine, 2017, pp. 30-33
Richard Perram, Beyond Belief The sublime in contemporary art, Bathurst Regional Art Gallery, 2017, p. 79
Silja Leifsdottir, What Remains, Fotogalleriet, Oslo, 2017, p.90-91
Otto Letze, GYS! Er den levende?, Arken Museum for Moderne Kunst, 2017, p. 144, 208
Bowden, Hannan, D'Aglas, Lindley, D'Angelo, Art-isan, Studio Arts for VCE, Cambridge University Press, 2017, p. 70,79,84-87
Adam Geczy, The Artificial Body in Fashion and Art, Bloomsbury Publishing, 2017, pp. 66-71
Michael Do, Soft Core, Ligare Book Printers, 2016
Barbara Creed, Stray: Human/Animal Ethics in the Anthropocene, Power Publications, 2016, p. 453-461
David Walsh, On the Origin of Art, Museum of Old & New Art, 2016, p. 126

2016
Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 292-293
Natasha Bullock, MCA Collections, Museum of Contemporary Art, Sydney, p. 93
Malene Breusch Hansen, Researchers Wildest Tools, Bonnier Publications Int, 2016, pp. 43-48
Thomas Macho, Das Schwein, Agora 42, 44424, pp. 54-59
Jane O'Sullivan, Beyond the Border, Australian Financial Review, 42430, pp. 122-127
Joan Fontcuberta, The Post-Photographic Condition, Kerber Photo Art, 2016, pp. 229-236
Jeon Hyesook, Post Human, SACK, Seol, Korea, 2015, pp. 140-155
Kim Jeongbae, New Romance, MMCA, Korea, 2015
Marcello Dantas, Comciencia, Centro Cultural Banco, Brasil, 2015, pp. 52-57

2015
William Myers, BioArt: Altered Realities, Thames & Hudson, 2015, Cover front & back, pp. 51-56
Jessica Housand-Weaver, Carbon Culture, Media Solutions USA, Issue 1, Fall 2014, Cover, pp. 4, 128, 136-143
Jaqueline Millner, ARTAND Australia, Art & Australia, Issue 52.1 - 2014, p. 196
Ron Radford, Collection Highlights, National Gallery of Australia, 2014, pp. 149-166

2014
Andrea Virginas, Acta Universitatis Sapientiae, Sapientia Hungarian Uni of Transylvania Scientific Publishing House, Vol 8, 2014, p. 22
Lisbeth Brunnich, Science Illustrated, Denmark, Bonnier Publications, Issue 17, 2014, pp. 8, 17
Penelope Grist, Portrait, National Portrait Gallery, Spring/Summer, 2014, pp. 50-51
Elizabeth Ann Macgregor OBE, Glenn Barkley, Remain in Light (exhibition catalogue), Museum of Contemporary Art, Sydney, 2014, pp.152,153, 161
Laura Baigorri Ballarín, Sense and Responsibility: A Bioethical Perspective on Experimental Creation, Hipatia Press, Vol 2, Number 2, 2014
Julie R. Sasse, Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia P., University of Arizona Press, 2014, p. 204
Mr. Terukazu Suenaga, Ms. Yoko Hayashi, Mr. Motoaki Hori, The Art of the 20th Century and Beyond, Bijutsu Shuppan-sha, Tokyo, July 20th, 2013, p. 49
Diana Warnes, Under My Skin (Exhibition Catalogue), Rockhampton Art Gallery, 2013, pp. 8, 46-57
Caitlyn Burford, Manor House Quarterly, Manor House Quarterly, USA, Issue 07 , 2013, pp. 66-75

2013
Zoe Forget, Hey (Modern art & pop culture), Ankame Editions, #15, 2013, p. 20
Lucy Marczyk, (INSIDE) interior design review, Niche Media Pty Ltd, Sept / Oct 2013
Gong Yan, Art World 278 (Safari, the Zoetrope of Monsters), Shangai Central Publishing, 2013
Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012, p. 118-121
Jason Smith / Linda Michael, Louise Bourgeois in Australia (Exhibition Catalogue), Heide Museum of Modern Art, 2013, pp. 84, 210-211
Antoine de Galbert, Memories of the Future, Collection of Thomas Olbricht (MR8), Fage Edition et La maison rouge, 2012, pp 8-11
Ming Turner, Post - Humanist Desire, Museum of Contemp. Art, Taipei, Taipei, 2013, p. 170-171
Kelly Gellatly, 101 Contemporary Australian Artists, National Gallery of Victoria, 2012, Cover, pp. 82-85
Marc Wellmann, BIOS Concepts of Life in Contemporary Sculpture, George Kolbe Museum, 2012, p. 26-27

2012
Linda Hertzman, Bild I Skolan, Swedish Teachers Union, 40909, p. 26-27
Bild I Skolan, En Ingang I Samtidskonsten, Swedish Teachers Union, 40909
Scala, Mark W., Fairy Tales, Monsters and the Genetic Imagination (Exhibition Catalogue), Vanderbuilt University Press, Sept, 2012
Ewen McDonald, MCA Collection. Volume One, Museum of Contemporary Art, Sydney, 40969, p. 50-51
RMIT Gallery, Imagining the Future (exhibition catalogue), RMIT Gallery, Melbourne, 40909, p. 14-23
Harrington, Zoe, Sculpture and the Enemies, Sculp & Enemies.com.au, Jan-March, 2012, p. 188-189
JD Talasek, Rick Welch, Kevin Finneran, Visual Culture and Evolution, an Online Symposium, University of Maryland, USA, 2012
McDonald, Helen, Nearly Beloved, Patricia Piccinini, Piper Press, 2011, p. 138
Tony Ellwood, Ten Years of Contemporary Art. The James C Sourris AM Collection, Queensland Art Gallery, 2011

2011
Jane Messenger, Once Upon A Time (Exhibition Catalogue), Art Gallery of South Australia, 2011, p. 37
Katrina Strickland, Neither Fish nor Fowl, Weekend Australian Fin Review, 2011, pp. 95-118
Deborah Bird Rose and Thom van Dooren/ Donna Harraway, Unloved Others, Australian Humanities Review, 2011, p 130
Vogue, Art - Pushing the Boundaries, Vogue Australia, 44327, p 72
The Melbourne Magazine, Fitzroy Series - CCP, The Age, 40756, p 14
Wendy Walker, Disturbing Stories for our Times, The Australian, 40653, pp 88, 91, 93
Millner, Jacqueline, Video, an Art, a History, 1965-2010, Centre Pompidou & Singapore Art Museum, 44358, pp. 264-266

2010
Robertson, Jean and McDaniel, Craig, Themes of Contemporary Art: Visual Art after 1980, Oxford University Press, 2010, pp. 379-385
Kwang-Suk, Lee, The Art and Cultural Politics of Cyber Avant-gardes, Thomson Publications, 2010
Engberg, Juliana, Relativity (exhibition catalogue), Art Gallery of Western Australia, 2010, pp. 210-223
Stadeus, Geert, and Snoeck, Patrick, Patricia Piccinini, Snoecks 2010, 2010, pp. 52-53
Bodeker, Katja and Hammer, Carmen, Wunderforschung, Nicolai, 2010, pp. 72-77
The Revival of Empty Spaces, Patricia Piccinini, Monthly Art Magazine, 44296, p.161
Reilly, Maura, Curating Transnational Feminisms, Feminist Studies Magazine, Spring 2010, pp. 142-143
Hong, Kyoung-Han, Art in Post, Public Art, 44265, p. 177
Hong, Kyoung-Han, Patricia Piccinini (interview), Public Art, 44296, pp. 16-22, 106

2009
Millner, Jacqueline, Conceptual Beauty, Artspace, Sydney, 2009, pp. 62-67
Chrudzimska-Uhera, Katarzyna, Niepewna przysztosc Rzezby: Patricia Piccinini, Lamus, 44386, p.38
Clark, John, Biennials and the Circulation of Contemporary Asian Art, Yishu: Journal of Contemporary Chinese Art, 2009, pp. 228-229
Mori Art Museum, Medicine and Art: Imagining a future for Life and Love, Mori Art Museum, Tokyo, 2009, pp. 8, 140, 142-3, 162-7, 187, 189
Grehan, Helena, Performance, Ethics and Spectatorship in a Global Age, Palgrave Macmillan, 2009, pp. 156, 184
Ardenne, Paul, Art le Present: La creation plasicienne au tournant du XXI siecle, Editions du Regard, 2009, pp. 116-119
Allemand, Lauranne, Denaro, Dolores, and team, Genipulation, Kunsthaus Centre d'art, 2009, pp. 80-83
Roos, Robert, Wonderland: Through the Looking Glass, Kunsthall Kade Amersfoort, Netherlands, 2009, pp. 1-3
Green, Erica, Colliding Worlds, Samstag Museum, University of Adelaide, 2009, pp. 4, 28
Egan, Fiona, Born to be Wild: the Motorcycle in Australia, Penrith Regional Gallery, 2009, pp. 340-345
Hackett, Edward, Reflections for Looking Forward, Sciencemag.com, 44205, p. 49
Korper Kurz nach der Geburt, Kunst und Unterricht, Kallmeyer, 44386, p. 7
Warne-Smith, Drew, Up Next: Patricia Piccinini, The Weekend Australia Magazine, March 14-15, 2009, p.2-3
Martain, Tim, Otherworldly Designs, The Mercury Magazine, 39893, p. 56
Strickland, Katrina, Tasmania's Modern Take, The Weekend Australian Financial Review, April 9-13, 2009, p. 36, 45
Levine, Stacey, Looking Together: Writers on Art, University of Washington Press, 2009, pp.30-31
Neylan, John, Motherhood Statement, The Adelaide Review, 44265, p.8
Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, 39934, p. 116

2008
The Phantasm of International Biennales, Monthly Art Magazine, 44539, pp. 246-247
Palmer, Maudie, Encounters with Australian Modern Art, Macmillan Art Publishing, 2009, pp. 256-259
Art and Australia, Current: Contemporary Art from Australia and New Zealand, Dott Publishing, 2009, pp. 287-292, 387
Haraway, Donna , When Species Meet, University of Minnesota Press, 2008, pp. 188-189
Heartney, Eleanor, Art and Today, Phaidon Press, 2008, pp. 148-149
Hulsbosch, Marianne, Cambridge Visual Arts: Stage 4, Cambridge University Press, 2008, pp. 24-26
Slade, Lisa, The Thrall of the Skull, Neo Goth: Black is Back, 2008, pp. 126-135
Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. 111-112
Takamado, Her Highness, the Princess, Transcripts of Lectures, Osaka University of Arts, 2008, pp. 127-129
Kudo, Kiki, Post No Future, Kawade Shobo Shinsha Publishers, Japan, 2008, pp. 120-122
Braun, Bart, Nieuwe Dieren, Uitgeverji Veen Magazines, 2008, p. 44
Zeitz, Lisa, Moped als Madonna: Das geheime Leben der Vespa, Kunstmarkt, 39501, p. 93
Foster Gage, Mark, Etiologies of Beauty: Architecture and the New Physics of Appearances, Perspecta 40: Monster, 2008, p. 30
Johnson, Ken, Some Shows for Escape, Some for Introspection, The New York Times, 39633, pp. 12-13
Beare, Michael & Welfare, Phillippa, Just Imagine, Wollongong City Gallery, 2008, p. 48
Cruz, Marcos, Designer Surgeons, Architectural Design, 44508, pp. 149-150
Saehrendt, Christian & Kittl, Steen, Sprachfuhrer Deutsch - Kunst, Kunst - Deutsch, Dumont Buchverlag, Koln, 2008, p. 198
Suzanne Anker and JD Talasek, Visual Culture and Bioscience, University of Maryland, USA, 2008, pp. 182-185

2007
Queensland Art Gallery, Contemporary Australia: Optimism, Queensland Art Gallery, 2008
Fernandez Orgaz, Laura, (Tiernas) Criaturas, Artium, 2007
Haraway, Donna , Speculative Fabulations for Technoculture's Generations: Taking Care of Unexpected Country, (Tiernas) Criatures, 2007
Alderton, Steven, Patricia Piccinini: Double Love Knot (exhibition catalogue), Lismore Regional Gallery, 2007
Hickson, Patricia, Hug or Run?, Hug: Recent Work By Patricia Piccinini, 2007
Rosenberg, Randy, Art in Action: Nature, Creativity and Our Collective Future, The Natural World Museum, 2007, pp. 155-165
Heartney, Eleanor, Worldwide Women, Art in America, June/July 2007
Blas, Susana, Patricia Piccinini: Documentary about the exhibition (Tiernas) Criatures at Artium, Metropolis, Spain, 44476, pp. 360-362
Armstrong, Carol, Carol Armstrong on Global Feminisms and WACK!, Artforum International, 00/0606/0707, p. 60-62
Were, Virginia, A Matter of Transformation, ArTnews New Zealand, Summer 2007, pp. 202-206
Israel, Glenis, Essential Art, Jacaranda, 2007, p.90
Wallis, Geoffrey, Eye to i: The Self in Recent Art, Ballarat Fine Art Gallery, 2007, pp. 42-45
Smith, Royce W., Hug: Recent Work by Patricia Piccinini, Review, 00/0505/0707, p. 26
Astrapellou, Marilena, Dear Scooter: Patricia Piccinini's Auto Art, Intersection, Spring 2007, pp. 76-80
de Rooij, Marie Jeanne, Down Under: The Hague Sculpture 07 (exhibition catalogue), Veenman Publishers, 2007, Cover, p. 77
Artundo, N, Science in Person, El Correo Espanol El Pueblo Vasco, October 4th, 2007, p. 37
Crespo, Txema G., Piccinini Bordering the Limits of Nature, El Pais, October 4th, 2007, p. 1, 6,7
Lloyd, Tim, The Canvas Economy, The Advertiser Review, Sept.1, 2007, p. 20
Macgregor, Elizabeth Ann, MCA Collection: New Acquisitions (exhibition catalogue), Museum of Contemporary Art, Sydney, 2007, pp. 148-149
Ostbye, Guri Lorentzen, Barn + Kunst = Danning, Gorilo Forlag, Oslo, Norway, 2007, pp. 133-159
Toffoletti, Kim, Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, I.B. Tauris and Co. Ltd, 2007, p. 36
Fujinami, Rieko, Nesting in an Ambiguous World, Dart International, Fall 2007, p. 16

2006
Coslovich, Gabriella, NGV Masters private exhibition deal, Metro News and Reviews, 2007
Bugden, Emma (ed), Patricia Piccinini: In Another Life (exhibition catalogue), City Gallery Wellington, 2006, pp. 6-9
Brennan, Stella, Border Patrol, In Another Life, 2006, pp. 14-15
Winship, Ingrid, Genetics in a Genome Era, In Another Life, 2006, p. 13, pp.52-55
Weyns, Sara, Long Live Sculpture, Middelheim Museum, Antwerp, 2006, pp 71-77
Setsuko, Nakamura, Prism: Contemporary Australian Art, Bridgestone Museum of Art, Ishibashi Foundation, 2006, pp. 42-47
Doll, Nancy, Uneasy Nature, Weatherspoon Art Museum, 2006, pp. 79-80, 216
Kardasz, Magda and Rees, Simon, High Tide: New Currents in art from Australia and New Zealand, Zacheta National Gallery of Art, Warsaw, 2006, pp. 106-109
Larson, Kay, Beautiful Mutants, Art News, 44233, p. 128
Boucher, Brian, Patricia Piccinini at Robert Miller, Art in America, 44233
McRae, Vanessa, Supercharged: The Car in Contemporary Culture, Institute of Modern Art, Brisbane, pp.98-101
Green, Charles, 2006: Contemporary Commonwealth, National Gallery of Victoria, Melbourne, 44356, pp. 301-305
Geczy, Adam and Genocchio, Benjamin, What is Installation? An Anthology of Writings on Australian Installation Art, Power Publications, Sydney, 44356, pp. 14, 110, plate 10
Crombie, Isobel, Light Sensitive: Contemporary Australian Photography from the Loti Smorgon Fund, National Gallery of Victoria, Melbourne, 44356, p. 85
Reena, Jana, Review of Patricia Piccinini: Nature's Little Helpers at Robert Miller Gallery, tema celeste contemporary art, no. 113, Cover, first 10 pages.
York, Hong Cing-fong Hsiao, Artist of the Year / Asia Live, Art Taipei, 2006, 2006, p. 6, 8, 13, 52,53
Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006
Davies, Suzanne, The Idea of the Animal (exhibition catalogue), RMIT Gallery, 2006, pp. 72-77
Tucker, Anne, Endangered Species: Patricia Piccinini and the Human Condition, Juxtapoz, February, p. 75
Riley, Jan, Patricia Piccinini, Sculpture Magazine, Vol 25, No 7, September 2006, cover, p.5
Smith, Jason, Epic (exhibition catalogue), Lismore Regional Gallery, 2006
Perram, Richard, Home Goal (Exhibition catalogue), Bathurst Regional Art Gallery, 2006, p. 233

2005
Lippert-Rasmussen, Kasper & Balling, Gert, Det Menneskelige Eksperiment, Museum Tusculanums Forlag, 2006
Miller, Christopher, Patricia Piccinini: Nature's Little Helpers, Robert Miller Gallery, 2005
Kent, Rachel, Nature is as Nature Does: Patricia Piccinini's Super-Natural Creations, Nature's Little Helpers, 2005
Havilah, Lisa, C'town Bling, Campbelltown Arts Centre, 2005, p. 63
Mitzevich, Nick, Newcastle Region Art Gallery: Highlights from the Collection, Newcastle Region Art Gallery, 2005, pp. 50-51
Delany, Max, Extra-Aesthetic: 25 Views of the Monash University Collection, Monash University Museum of Art, Melbourne, 2005
Wilson, Beth, Brand X Art, Chronogram, 44321
Glueck, Grace, The line between species shifts and a show explores and move, The New York Times, 44434
Genocchio, Benjamin, Images of Reality, In Three Dimensions, The New York Times, 44373
Glover, Michael, Masters of the dark arts, The Times, 44498
Smee, Sebastian, Nature's Little Helpers make tasty omelette, The Australian, pp. 98-101
Tofts, Darren, Interzone: Media Arts in Australia, Craftsman House, 2005
Welschen, Fred, Living Apart Together (exhibition catalogue), Odapark Venray, 2005, Cover
Nowotny, Helga, Unersattliche Neugier: Innovation in einer fragilen Zukunft, Die Deutsche Bibbliothek, 2005
Savie, Chris, Untitled article, Adbusters, 2005

2004
Rees, Simon, Adelaide Biennial of Australian Art exhibition catalogue, AGSA, 2004, pp 15-17
Patricia Piccinini: We are Family, BT, Vol. 56, no. 845, p 60
Bec, Luis, The Demonstrous, Monsters, Ghosts and Aliens: The politics of representation in the digital era, F. Javier Pascual, Madrid, 2004
Bourke, Gregory, Bloom: Mutation,Toxicity and the Sublime (exhibition catalogue), Govett Brewster Art Gallery, 2004, P 77
Ted Snell, Repercussions, Greenaway Gallery, SA, Artlink, 38200, p. 35
Crisp, Lyndall, Freaks of Nature, Financial Review Weekend, 29-30 May 2004, pp. 193-201
Israel, Glenis, Senior Artwise 2: Visual Arts 11-12, Jacaranda, 2004, p. 56
Eisenmann-Klein, Marita, Reconstruction and updating in plastic surgery in 'UmBauhaus: Updating Modernism', Jovis Verlag, Berlin, 2004
Glass, Alexie & Tutton, Sarah, I thought I knew but I was wrong: New video art from Australia (exhibition catalogue), Asialink / ACMI, Melbourne, 2004
Gibson, Ross, Written with Darkness (exhibition catalogue), University of Technology, Sydney, pp. 65-69
Lovelace, Carey, Flesh & Feminism, Ms., Spring 2004
Palmer, Daniel, Medium Without a Memory: Australian Video Art in 'I thought I knew but I was wrong', Asialink / ACMI, Melbourne, 2004, pp. 6-7
Piccinini, Patricia, We are Family Lecture, Hara Museum Review, No 64, Spring 2004, pp.6-7
Plant, Simon, Art Breaking, Herald Sun Weekend, 38115, pp. 90-91
Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp 56-7, 64-5, 100, 142
Villaca, Nizia, The Multiplication of Bodies in Artistic Communication in 'Metacorpos' (exhibition catalogue), Paco das Artes,Brasil, 2004, pp. 144-151
Anderson, Karen, Monstrorum Historia: Biotech and Teriomorphism, Cluster, No. 4, 2004, p. 209
Vielhaber, Christiane, Junge Kunst ruckt nach vorn, Das Kunst Magazin, Vol. 11, 2004

2003
Wertheim, Margaret & Christine, Teratology in 'Patricia Piccinini: We Are Family' (Linda Michael, Ed), Australia Council, 2003
Smith, Jason, Patricia Piccinini: Sandman (exhibition catalogue), National Gallery of Victoria, Melbourne, 2003, p. 11
Antony, Rachael, We Are Family: Art by Patricia Piccinini, The Big Issue, no. 179, 9-24 June 2003, p. 61
Block, Andrew, Arts: Bizarre Beasts, Qantas, no. 115, January 2003
Boyd, Chris, Visions of a Strange New World, The Weekend Australian Financial Review, p. 22
Clifford, Andrew, Attack of the Clones, The Sunday Star Times, New Zealand, 37983, pp. 108-109
Crawford, Ashley, Patricia Piccinini in 'see here now, Vizard Foundation Art Collection of the 1990s' (exhibition catalogue), The Ian Potter Museum of Art, Melbourne, 2003, pp. 6-7
Eccles, Jeremy, For the Love of Her Art, The Canberra Times, 37765, p. 34
Fortescue, Elisabeth, Meeting a boy who isn't there, The Daily Telegraph, 18-Aug-2003, pp. 18-23
Foster, Alasdair, Interview: Patricia Piccinini, Photofile, no. 68, April 2003, p. 43
Glass, Alexie, Patricia Piccinini, res, March-April 2003, pp. 58-61
Kinsman, Chloe, Patricia Piccinini (interview), tema celeste contemporary art, no. 98, pp. 180, 340-341
Patricia Piccinini in 'Havana Biennale 2003' (exhibition catalogue), Centre for Contemporary Art, Havana, 2003
Lynn, Victoria, Patricia Piccinini in 'Face Up: Contemporary Art from Australia' (exhibition catalogue), Kantz, Berlin, Germany, 2003, pp. 227-235
McDonald Crowley, Amanda, Creative Encounters: The Art/Science of Collaboration, Sarai Reader, 44230, p. 113
Michael, Linda, Patricia Piccinini: Still life with Stem Cells in 'Monash University Collection: Three Decades of Collecting', Monash University Museum of Art, Melbourne, 2003
Michael, Linda, Love Me Love My Lump: Patricia Piccinini Photographs (exhibition catalogue), Monash University Museum of Art, Melbourne, 2003, p.162
Smith, Bernard, Patricia Piccinini in 'Two Centuries of Australian Art', Thames and Hudson, Victoria, 2003
Carroll, Alison, Sun Gazing: The Australia-Japan Art Exhibitions Touring program 2002-2004, The Asialink Centre, The University of Melbourne, 2004, pp. 108-109
McAuliffe, Chris, and Harvey, Sue, see here now: Visard Foundation Art Collection of the 1990s, Thames and Hudson, Victoria, 2003, pp. 14-17
Strickland, Katrina, Mother Love, The Weekend Australian, 2-4 May 2003, pp. 89-90
Woodcock, Ben, Freak Show, State of the Arts, pp. 62-64.
Fitzgerald, Michael, Driving out Demons, Time (Pacific), 01-Jul-2003, Review p. 21
Genocchio, Benjamin, Genetically Modified Sculpture, The Australian, 11-12 January 2003, p. 3
Genocchio, Benjamin, Piccinini and friends carve out a name in Venice, The Australian, 14-15 June 2003, A3 p. 12
Gill, Raymond, Family Values, The Age, 14-Jun-2003, Spectrum pp. 6-7
Hill, Peter, The Artist & Her Offspring, The Sydney Morning Herald, 25-26 January 2003, p. 75
Hutak, Michael, The Far-out Pavilion, The Bulletin, 25-Jun-2003, p. 43
Ingram, Terry, Happy as a pig in Venice: Piccinini parties to celebrate success, The Australian Financial Review, 27-Jun-2003, p. 30
Lethbridge, Brett, Beauty Beyond Bizarre, The Courier-Mail, 15-Jun-2003, pp. 34-39
Naylor, Stephen, Feeling the heat at the 50th Venice Biennale, Art Monthly Australia, no. 161, July 2003, Arts p. 17
Nelson, Robert, Clever Technology, Serious Questions', The Age, 05-Jan-2003, p. 84
Rees, Simon, Patricia Piccinini at ACCA, Flash Art, May-June 2003, p. 107
Turner, Jonathan, Alien Nation, ARTnews, vol. 102, no. 8, September 2003, p. 26, 28
Lindinger, Verlag and Schmid, Uncompromising Mindset, Kunst Jahr 2003, 2003

2002
Kent, Rachel (ed), Call of the Wild: Patricia Piccinini (exhibition catalogue), Museum of Contemporary Art, Sydney, 2002
Engberg, Juliana, Patricia Piccinini in '(The world may be) fantastic' Ewen McDonald (ed.) (exhibition catalogue), Biennale of Sydney, 2002
Rowell, Amanda, Autoerotic (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney, 2002
Engberg, Juliana, Retrospectology: The World According to Patricia Piccinini (exhibition catalogue), ACCA, Melbourne, 2002
Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002, p. 236
Barragan, Paco, Patricia Piccinini in 'El Arte Que Viene (The Art to Come)', Subastas Siglo, Madrid, 2002, p. 13
Faulkner, Jane, Patricia in Wonderland, The Age, 28-Nov-2002, pp. 300-304
Foster, Alasdair, Patricia Piccinini in 'Blink: 100 photographers 010 curators 010 writers', London: Phaidon Press, 2002, p. 136
Greenstein, M. A., Arte o Baño del sol, Lapiz, no. 179/180, 2002, p. 2
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 28-Jul-2002, pp. 45-46
Michael, Linda, Love Me Love My Lump, The Diplomat, December 2002 - January 2003, p. 42-47
Millner, Jacqueline, Love in the Time of Intelligent Machines, Artlink, Vol 21 no 4, 2002, p. 93-94
Palmer, Daniel, Patricia Piccinini, Frieze: Contemporary Art and Culture, Issue 65, 2002, pp. 50-52
Papastergiadis, Nikos, One Night Love, Object, no. 39, p. 202-203_
Piccinini, Patricia, Life in the Media Landscape in 'Prefiguring Cyberculture: An Intellectual History', Power Publications, University of Sydney, 2002
Bennet, Oliver, The quality of Mersey: Liverpool Biennale/International 2002, The Observer, UK, 16-Sep-2000, p. 194
Green, Charles, Patricia Piccinini, Artforum, 44318, Metro p. 26
Hill, Peter, Weird Science, The Sydney Morning Herald, 30 August-5 September 2002
Hynes, Victoria, Driven, The Sydney Morning Herald, 24-30 May 2002, p. 2
McLean, Sandra, When Push Becomes Shove, The Courier Mail, 28-Jul-2002, pp. 30-32
Millner, Jacqueline, Storytelling, Eyeline, no. 49, Spring 2002, p. 47
Toffoletti, Kim, Patricia Piccinini; Lumps and Stem Cells, Eyeline, no. 50, Summer 2002/2003

2001
Michael, Linda, One Night Love (exhibition catalogue), Tolarno Galleries, Melbourne, p. 301
Hennessey, Peter, Patricia Piccinini: Installations in 'What is Installation? An Anthology of Writings on Australian Installation Art', Power Publications, Sydney, 2001, p. 65
Hutak, Michael, Perfect Planet, Professionally Reproduced, Australian Art Collector, Issue 18, October 2001, pp. 200-204
McDonald, Helen, Erotic Ambiguities: The Female Nude in Art, Routledge, London, 2001, p. 2
Crawford, Ashley, Contemporary Australian Art, An Odd Creature from Down Under, Art and Australia ARCO insert, Vol 37, no. 2, 2001, Extra p. 3
Lancashire, Rebecca, Piccinini's Monsters, The Age, 37037, Arts p. 9
McCulloch-Uehlin, Susan, Virtual Visions, The Australian, 28-Oct-2001, p. 22
Travis, Lara, Vivid Vehicles of Delight for Lovers of One Night, The Age, 28-Oct-2001, Today p. 1
Webb, Caroline, Young Collectables, The Age, 37037

2000
Engberg, Juliana, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
Colless, Edward, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000
Yamagata, Hiroo, Essay in 'Atmosphere/Autosphere/Biosphere: Works by Patricia Piccinini', Drome, Melbourne, 2000, p. 8-11
Leggett, Mike, Patricia Piccinini, Photofile, no. 60, August 2000, p. 188-189
Miki, Akiko, Very New Art 2000: 100 Artists, BT Art Magazine, vol. 52, no. 782, January 2000, p. 170
Millner, Jacqueline, Afterword: Perspective on Perspecta in Martin Thomas (ed.) 'uncertain ground', Art Gallery of New South Wales, Sydney, 2000, pp. 556-565
Pennings, Mark, Enchantment, Technoscience and Desire, Art and Australia, vol. 37, no. 4, 2000, pp. 26-31
Murphy, Bernice, Patricia Piccinini in Zeitgeössische Fotokunst Aus Australien, Braus im Wachter Verlag, Heidleberg, Germany, 2000, p. 84
Australia's 50 Most Collectable Artists, Australian Art Collector, Issue 11, January 2000, Review p. 18
Genocchio, Benjamin, Reality Check via Plastic Bimbo, The Weekend Australian, 06-Aug-2000, p. 74
Hoffman, Frank, Report from Kwangju: Monoculture and its Discontents, Art in America, Nov-00, p. 100
Hong-Hee, Kim, Kwangju Biennial, Flash Art, Summer 2000, Arts p. 12
James, Bruce, I'll have what she's having, The Sydney Morning Herald, 03-Feb-2000, pp. 28-30
Scarff, Julian, Probe, Art Asia Pacific, Issue 27, 2000

1999
Engberg, Juliana, Essay in 'Signs of Life: Melbourne International Biennial' (exhibition catalogue), City of Melbourne, 1999, p. 189
Hatanaka, Minoru, Plasticology, InterCommunication, no. 29, Summer 1999
Stanhope, Zara, The Persistence of Pop (exhibition catalogue), Monash University Gallery, Melbourne, 1999
Sun-Hee, Kim, A Window Inside Outside (exhibition catalogue), Gwangju City Art Museum, Korea, 1999, pp. 107-113
Williamson, Clare, Digitalis Australis, History of Photography, no. 2, vol. 23, Summer 1999, Arts p. 17
Clabburn, Anna, Baby Trucks Dump on Mass Consumption, The Age, 18-Mar-1999, p. 79-80
Colless, Edward, Patricia Piccinini, Art + Text, no. 66, October 1999, p. 50
Frost, Andrew, Australia' s 50 Most Collectable Artists, Australian Art Collector, no. 7, 1999, IT p. 2
Sinclair, Jenny, Oh Baby, It's a Truck! , The Age, 17-Mar-1999, News p. 7
Taylor, Kerry, Artist's Infatuation with a Baby Beast, The Age, 16-Mar-1999

1998
Hennessey, Peter, Essay in 'Sacred and Profane' (exhibition catalogue), 1998 Adelaide Festival Visual Arts Program, 1998
Sansom, Gareth, The Long and Winding Road in 'Up the Road: Contemporary Artists out of the Victorian College of the Arts', ACCA, Melbourne, 1998, p. 40
Geczy, Adam, Australian Perspecta, Eyeline, no. 35, Summer, 1998, pp. 58-61
Riley, Vikki, Machine Translations & Other Digital Heresies, Photofile, no. 53, April 1998

1997
Pennings, Mark, Art = Advertising (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1997, pp. 247-254
Hennessey, Peter, Plastic Realist in Blair French (ed.) 'Photo Files: An Australian Photography Reader', Power Institute and ACP, Sydney, 1999, p. 23
Burne, Philippa, Up the Garden Path, HQ Magazine, no. 54, Sept 1997, p. 36
Johnson, Anna, Young at Art, Good Weekend, 35546, pp. 105-107
Uemura, Hisashi, LUMP, Gap Magazine, 35704, p. 17
Maloney, Evan, Consuming Art, Art Monthly, no. 99, May 1997, p. 12
Rooney, Robert, Arts on Friday: Art=Advertising, The Australian, 15-Mar-1997

1996
Hennessey, Peter and Gregory, Chris, Patricia Piccinini: Your Time Starts Now... (exhibition brochure), Contemporary Art Centre of South Australia, 1996, pp. 33-35
Schubert, Robert, Patricia Piccinini: Fetal Futures, Art + Text, no. 54, May 1996, pp. 27-28
Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. 8/9, Autumn 1996, p.36
Cooper, Jackie, Natural Born Artist, The Australian, 02-Dec-1996, p. 100
Hill, Peter, Cameras, Lies and Photographic Exhibits, The Bulletin, 18-Sep-1996, p. 7
Honeysett, Stuart, Computer Art a Child of Invention, The Australian, 35199, p. 11
McFarlane, Robert, Looking to the Future, The Sydney Morning Herald, 29-Aug-1996, p. 33
Owen, Kristin and Simon Plant, Bubbly Prospects, Herald Sun, 10-Feb-1996, p. 34
Pennings, Mark, Patricia Piccinini: Your Time Starts Now..., Eyeline, Summer 1996, p. 18
Rooney, Robert, Melbourne Art, The Australian, 35209, p. 13
Rooney, Robert, Möet & Chandon Touring Exhibition, The Australian, 24-Feb-1996, pp. 16-17
Stanhope, Zara, Mapping the Code: Artists Conceiving Data-bodies, Mesh, no. 8/9, Autumn 1996

1995
Kent, Rachel, Alternative Realities: Australian Artists Working with Technology (exhibition catalogue), Ian Potter Gallery, University of Melbourne, 1995
Latham, Mary Ann, Inside Out: An Interview with Patricia Piccinini, Aedon, Dec-95
Stanhope, Zara, Technothelylogia: Technology of and by Women (exhibition catalogue), Monash University Gallery, Melbourne, 1995, p. 21
Cookes, Thomas, Multimedia Spawns Art, The Age, 13-Jul-1995, p. 66
Gibson, Tom, Patricia Piccinini, Art + Text, no. 50, January 1995, p. 23
McKenzie, Robyn, Hi-Tech Art Flows into the Mainstream, The Age, 27-Jul-1995

1994
Hennessey, Peter, Patricia Piccinini: Indivisibles (exhibition brochure), The Basement Project, Melbourne, 1994, pp. 42-43
Gregory, Chris, Indivisibles, Eyeline, Spring 1994, p. 47
Marsh, Anne, City Theme Rules, Herald Sun, 34471, p. 64
Storey, Rohan, The City Screen, Monument, vol. 1 no. 2, 1994, pp. 6-7
Teffer, Nicola, Body with Organs, Photofile, no. 42, June 1994, p. 25

1993
Barren, Sonia, Pushing the Limits of Acceptability, The Canberra Times, 18-Feb-1993, pp. 16-20

1991
Hawker, Rosemary, Heretical Gestures at the Birth of Enlightenment, Eyeline, no. 15, 1991, p. 18
Jones, Mathew, The Body Dis-corporate: Patricia Piccinini, Agenda, no. 20/21, November 1991, pp. 172-17
Thompson, Kerstin, Charles Williams Gallery, Transition, no. 36/37, Summer 1991

 
Selected Awards

2014
Lifetime Acheivement Award, Melbourne Art Foundation

2006
New York Residency, Australia Council

2002
International Cultural Exchange Program, Arts Victoria

2000
New Media Fellowship, Australia Council

1999
Arts Development grant, Arts Victoria

1998
Tokyo Residency, Australia Council

1997
Project Grant, Australia Council
International Cultural Exchange Program, Arts Victoria

1996
Project Grant, Arts Victoria

1991
Christopher James Blyth Memorial Award, Victorian College of the Arts

1990
Theodore Urbach Award, Victorian College of the Arts

1989
Theodore Urbach Award, Victorian College of the Arts

 
Selected Public Collections


National Museum of Women in the Arts, Washington DC, USA
Thomas Olbricht Collection, Berlin, Germany
The Vehbi Koç Foundation, Istanbul, Turkey
Weatherspoon Art Museum, North Carolina, USA
Pheonix Art Museum, Arizona, USA
Middelheim Museum, Antwerp, Belgium
21C Museum, Louisville, Kentucky, USA
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
Art Gallery of New South Wales, Sydney, Australia
Queensland Art Gallery, Brisbane, Australia
Art Gallery of South Australia, Adelaide, Australia
Monash University, Victoria, Australia
Newcatle Region Art Gallery, New South Wales, Australia
The University of Melbourne, Victoria, Australia
Griffith University, Queensland, Australia
Waverley City Gallery, Melbourne, Australia
Bendigo Art Gallery, Victoria, Australia
Parliament House, Canberra, Australia
Artbank, Australia


This document was created Sun, 21 Apr 2024 15:29:53 +0000